Donte and Ahmad were two people that I took under my wing because I just, I just knew their talent. I want to be more involved in finding and cultivating young, new talent, especially talent of color.Īre there any particular people you’ve mentored that you’re particularly excited by? I created a fund during COVID to give back to Black-owned beauty and fashion businesses in Chicago. As a person, I just want to do the things that I’m doing now and figure out more ways to help other people. I run a global, multimillion-dollar business.

How do you see yourself growing as a business, and as an individual? to start working, there were a lot of stylists, so I wanted to figure out a way to differentiate myself,” says Roach of his “image architect” fashion moniker. Not a lot of Black stylists get the opportunity to get on the list because they don’t get the opportunity to work with the talent that’s going to the Oscars, the Globes. Because, to be really honest with you, the way people make the List is based on awards season. Our work is much more visible, but I don’t think it’s changing the landscape of how we get those girls. When somebody comes into Hollywood, and they’re building that team, you have the manager, the publicist and the agent the recommendations on stylists, hair, makeup. That’s because there’s a system in Hollywood where new talent and those girls are funneled through the same group of people, … I always call them the same five white women. I’m the only one who has dressed and continues to dress A-list white talent, as well as my Black talent. We’re the three, I think, leading the pack. If you look at the top Black stylists, it’s me. In a year when key Black stylists created the most-talked-about looks, are things changing in terms of access? On Joy: Dior shirt, Levi jeans, Hanes socks, Tiffany & Co Jewelry. On Roach: Bottega Veneta shirt, Levi jeans, Hanes socks, Harry Winston jewelry and watch. On Zendaya: Valentino shirt, Levi jeans, Bulgari jewelry, Hanes socks.

“She has this thing that feels very whimsical, almost like a fairy in a way,” he says.

It was Roach who got people talking about Celine Dion, after years of the diva being ignored by the fashion world, with looks like the white Stéphane Rolland “angel wings” gown she wore to the 2017 Billboard Awards he mapped out Ariana Grande’s fashion evolution and he’s helped make Taylor-Joy the “It” girl this awards season. The stylist is adept at creating the fashion conversation. “Nobody asked us to do this, but just taking upon ourselves to make sure that we keep these icons alive and keep talking about them.” “There has been whitewashing and washing out of certain people,” Roach says. For last month’s Essence Black Women in Hollywood Awards luncheon, the star wore a pale blue, puffed-shoulder Yves Saint Laurent dress once worn by Ebony magazine co-founder and Fashion Fair cosmetics founder Eunice Johnson. The pair also use clothes to remind others of often overlooked Black fashion moments.

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